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You also span a lot of eras – there’s a handful of 2000s club classics like DJ Luck & MC Neat’s ‘A Little Bit of Luck’ or ‘Flowers’, while the show is clearly set in the present-day. It’s really serene and beautiful, it reminds me of walking home or walking to the club in the middle of the night in London – that amazing calm in the middle of the storm.
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Particularly when we used ‘My Queen Is Albertina Sisulu’ by Sons of Kemet which has this amazing sax solo, when Arabella is walking through the streets of Soho. They’re used in score moments, although they still have so much London Town personality to them. The instrumentals lend themselves really well to it because of the lack of composer. It was always going to be varied, because it was always going to be character-led.The show is also obviously so London-centric, which lends itself well to an eclectic playlist because of the multicultural vibe of the city.Ī few tracks by Sons of Kemet and Comet is Coming have a specific London energy to them. There was some R&B, neo-soul, afrobeats, some electronic stuff.
#I may destroy you music full
We had a playlist full of very initial ideas, based on our first conversation with Michaela. It’s such an eclectic playlist, did you have any one mood or genre to be guided by? Milton Brunson and the Thompson Community Singers, and ‘Flowers’ by Sweet Female Attitude from the start. We had ‘Something About Us’ by Daft Punk, ‘It’s Gonna Rain’ by Rev. Only five or six tracks were already scripted, which would be priorities. What were the first tracks that came up in conversation with Michaela?
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Little Simz, The Prodigy, Sons of Kemet, Arlo Parks, and Daft Punk are just a few of the artists, old and new, contributing to the show’s brilliance – Music Supervisor Ciara Elwis talks us through club classics, scoring the city of London, Desert Island discs and more. There are moments of tenderness and vulnerability, as Coel’s character Arabella wrestles with her inner demons flashes of euphoria on a night out with her best friend Terry scenes of rage, of freedom and strength as secrets bubble to the surface. Across 12 episodes, the fragments of one traumatic event are pieced together through flashbacks, everyday investigations and white-hot surges of remembrance.Ī vibrant, often familiar while always playful, soundtrack punctuates key scenes.
#I may destroy you music series
Music and memory are deeply tangled in Michaela Coel’s corrosive series I May Destroy You.